Monday, October 27, 2008
Monday, September 29, 2008
On Being An Artist
-- Melissa
-- Watercolored Self-Portrait
-- Watercolored Self-Portrait
-- Into the Darkness (self-portrait)
-- Jennifer (slight watercolor)
======================================
I don't know if it's possible to be an artist without considerable reflection upon what it means to be an artist.
I don't know if it's possible to be an artist without considerable reflection upon what it means to be an artist.
Even for those lucky chosen few -- the incredibly creative ones to whom the gifts of talent come naturally -- at some point in the process of making art, some questions arise:
among the most basic - to what extent does the artist create from his own need for expression, vs.
the artist's desire to communicate thoughts and feelings and perceptions to others, to an audience.
For most true artists, I think it is both -- there's the absolute internal need to create, coupled with the desire to communicate with others. I don't know if it would make much sense to have one without the other.
I've been thinking a lot lately about my own need to create, especially in the realm of photography. Sometimes I feel like I want to document every interesting thing I see, all day, everyday.
But, obviously, at some point, one needs to edit this process and work on developing a focused approach to the art that one can justifiably call a style.
I don't know if I've achieved that yet, but I am working on it.
Sometimes I feel like I'm still working to perfect my basic skills as a portrait photographer.
Above are some portraits I was looking at --some recent, some from years ago, some nice lookin', some not so nice lookin' -- that got me thinkin' about my fascination with capturing images.
It's very much an on-going process.
For the most part, I think my overall style(s) in photography are fairly eclectic, but I do try to make sure that every photo I show has a clearly defined (if not totally in focus) subject. I want to convey something about what attracted me to what I saw.
If there are any hidden subtleties in the images, that's likely just icing on the cake -- but I must admit, I do like icing!
Saturday, September 20, 2008
Th3 - A Critical Mass of Art Energy
top to bottom:
1 - outside the Delavan Art Gallery;
2 - the Orange Line Gallery;
3 - Point of Contact;
4 - Melissa Tiffany, owner of the Orange Line Gallery;
5 - inside the Warehouse Art Gallery
------------------------------------------------------
all photos by Larry Hoyt - copyright 2008 Larry Hoyt
-- click on the picture to enlarge the image --
======================================
To borrow a term from nuclear technology, I'd like to suggest that the arts scene in Syracuse is approaching "critical mass".
But, instead of little neutrons jumping around in fissile material, the critical mass in Syracuse's art scene comes from an increasing number of active art venues, plus the large number of regional artists exhibiting high-quality works on a regular basis.
And, as evidenced by this blog among many other indicators, compared to previous levels of interest, the media and the general public seem to be taking greater notice of this area's art scene.
As this critical mass of art energy creates its own field of excitement and activity, one might ask if an art explosion is imminent.
That, in my opinion, depends upon how many true patrons of the arts, public and private, step forward to financially support the artists and the venues.
With enough financial support, Syracuse could become a true art destination for collectors and art lovers from around this country and beyond.
Just as the Syracuse housing market attracts buyers with its relatively low prices for attractive houses compared to other parts of the country, so too, the purchase price for high-quality art here in Syracuse is well below that charged in most other art center cities.
The word has to get out -- not just here in Central New York, but throughout New York State, New England, the eastern seaboard, the whole country and beyond: the art scene is happening in Syracuse! It's getting ready to explode!
But, even if an art explosion does not occur here in Syracuse, it seems to me that the current art scene has already reached an impressive level of sustained energized activity, comparable to the sustained energy produced by a controlled nuclear reactor. This long-term art scene energy has already reached the level needed to sustain long-term high-quality productivity.One prime example of this critical mass of art energy is the monthly Th3 art program, in which more than 20 art venues in the Syracuse area hold receptions or special events every third Thursday of the month, attracting more media attention, and, it appears, more art lovers and curious spectators wanting to check out what's new in the Syracuse art world.
Above are some photos I shot of the Delavan, the Warehouse, the Orange Line, and the Point of Contact galleries at the recent September edition of the third Thursday Th3.
More photos and commentary can be found at my other blog:
http://www.newfolkfotos.blogspot.com/
And more photos and commentary will follow here shortly --
Monday, August 4, 2008
Lenore S. DeCerce: "it's always been poetry"
It's not everyday
one meets
a poet.
A real poet; a dedicated poet.
At least not in my experience.
But I recently had the pleasure of meeting and chatting with poet Lenore S. DeCerce at the Contemporary Gallery in Syracuse.
After only a few minutes of conversation, it was obvious that Lennie (as she prefers to be known) is serious about her work. The previous night at the gallery, Lennie had given a public reading of her collected poems entitled
Leaning Against the Bed with One Knee."For me, it's always been poetry," she says, seated comfortably on the gallery's couch.
"It's more intimate than any other form, and it allows a freedom that other genres do not. I don't really believe in grammer and technicalities -- poetry allows me to completely ignore them. I use spacing and line breaks instead."
One of the things that impressed me about Lennie was her enthusiasm for her work.
From my questions, she knew I was genuinely interested in this subject, enough so that she readily offered me a copy of her manuscript. I looked over several poems and she suggested one in particular:
==========================
You used to be such a good girl
she says with a look
and long draw on her Newport
It's my fault
I'm an enabler
Everyone tells me I'm an enabler
She flicks ash
and
I
look at my hands
the floor
the air above her head
and reply
the same reply
It's not your fault mom
I am not your fault
===================
Lennie reflected on the deep emotions contained in the few words of her poem, and how they affected her when she read that poem for her mother.
Not too surprisingly, tears were shed.
Lennie continued:
"I started writing initially because as the youngest of three daughters, I was often reminded that I was better seen and not heard. I needed an outlet and paper became that outlet. I could say it's therapy, but that doesn't quite do it justice. I can't lie on paper. That's not to say I'm a liar - I'm not - but on paper it's different. My poetry is primarily non-fiction."
====================
Coward
a shadow
will confess
more than I
I will keep
my voice
entombed
in lead
I will bury
it
in sand
and walk away
I will embrace
the dark silence
that will follow
I will surpress
and I will deny
I will rationalize
I will unearth
my foundation
and start again
I will live as if
=====================
In addition to her poetry, Lennie, a LeMoyne College graduate, is also working on a screenplay.
"What I love about screenwriting is the detail," she explained. "It's all detail, actions, speech, reactions. I'm a very visual person; it's like there's a screen in my head. I see things before I write them down."
Regarding the relative lack of respect or interest in poetry in modern culture, Lennie offered this perspective:
"I feel poetry is on the backburner with most people if they bother with it at all. I blame academia for that. They spoon feed students the same old crap from elementary school on up to college. They don't introduce poets that people can relate to. Students are taught to be intimidated by poetry and to constantly analyze analyze analyze and I think that kills it for people."
But for Lennie, the freedom and creative space she finds in poetry cannot be overstated:
"Poetry is oxygen, and without it, honestly, I don't think I'd be."
======================
all photos copyright 2008 Larry Hoyt
======================
Saturday, July 26, 2008
Brian Butler - Artist Who Draws
- click on image to enlarge -
==========================
Friday evening (7/25/08), I had the pleasure of meeting and chatting with Central New York artist Brian Butler during a reception for the closing of the Contemporary Gallery.
Friday evening (7/25/08), I had the pleasure of meeting and chatting with Central New York artist Brian Butler during a reception for the closing of the Contemporary Gallery.
Brian is one of several artists whose work had been shown during the gallery's one and only group exhibit, which ends August 1.
His very busy, richly detailed drawings catch the eye with abundant miniatures depicting everything from faceless human figures to forests of cones, anonymous urban high rises to a rogues gallery of beleaguered human faces. Brian also incorporates larger stylized versions of sci-fi figures and border-line grotesque horror images.
Not surprisingly, Brian acknowledges his love of comic book images, citing the influences they have had on him, consciously and subconsciously. He also admits to something close-to-an-addiction regarding video games - often violent video games. "Everybody has a dark side," he mused.
When asked to chose one adjective to describe himself, he answered fairly quickly "eccentric".
Another word that came up in our conversation was "obsessive" - Brian's obsessive commitment to drawing detailed miniatures in his work.
The saying of this magic word, obsessive, prompted gallery co-founder Courtney Rile to check on and quote a comment made by Post-Standard art critic Katherine Rushworth in her July 13 article on the Contemporary Gallery:
"Brian Butler's obsessively detailed pen and ink drawings are obsessively compelling."
"It's what I do", he said, with no further explanation needed.
In cooperation with the Contemporary Gallery, a 16-page "coloring book" of Brian's work has been published is for sale at the Gallery for the ridiculously low price of $10!
If one includes the coloring book's cover drawing, that's 17 Brian Butler drawings for less than a dollar a piece. Only 25 copies of "The Coloring Book" were printed, and they are numbered and signed by the artist
(although I must add that on the copy I purchased, Brian's signature looks a bit rushed; still, I do trust that that is indeed his signature.)
On this blog, I shall generally refrain from making pronouncements regarding what I believe is good art, bad art, great art, or non-art.
So much of what goes into those judgements depends on the eye of the beholder, plus a great many other variables.
But I can say unequivocally that I found Brian and his art to be very interesting. Brian is obviously very passionate about his work and he seems to be taking it out as far as he can go.
I wish him all luck and great success.
Sunday, July 20, 2008
Friday, July 18, 2008
Contemporary Gallery, 230 Harrison Street, Syracuse
all photos copyright 2008 Larry Hoyt
- click on photo to enlarge image -
from the top:
-- gallery co-founder Courtney Rile (at an nightime TH3 reception)
-- gallery co-founder Roslyn Esperon (overseeing the gallery during the day)
-- a decorated pillow on a too-comfortable chair
-- "Dancing Mother and Child" (Lowenstein)
-- large lizard sculpture
-- "Cityscape" oil painting (Catherine Weiss)
-- "Charting" mixed media (Sean Ward)
=======================================
There's an exciting new art gallery in Syracuse, and it's only going to be open for another two weeks!
(until August 1, 2008)
To anyone and everyone who loves high-quality art, and who wants to support the growing art scene in Syracuse - my strong suggestion is get yourself down to the Contemporary Gallery at 230 Harrison Street.
They're having a closing reception at the gallery on the evening of Friday, July 25.
And even though this will be a closing reception, I am sure that this art community get-together on the 25th will also be very much a celebration.
From everything I've seen and heard about this art space, and from I've read in the Post-Standard and also in the Syracuse New Times, the Contemporary Galley has been a much needed temporary shot in the arm for the local art scene.
(Without going into detail here, I'll just mention that another fine local gallery, the Orange Line Gallery, was recently forced by its landlord to vacate its space at the Coffee Pavilion at Hanover Square... but that's a blog for another day.)
===================
This past Thursday, July 17, I had the great pleasure of meeting and chatting with Roslyn Esperon and Courtney Rile, the two energetic young ladies who co-founded and operate the Contemporary Gallery.
These two former Syracuse University students had met last summer while working at the Delavan Art Gallery.
They devised a plan, asking several real estate companies and landlords if they could renovate a downtown space, install and operate a temporary gallery, and then leave that space in better condition than it was when they first moved in.
J.F. Real Estate agreed, and Contemporary Gallery opened it's seven-week run on June 11.
The impressively diverse exhibit mounted by Courtney and Roslyn is entitled "Whimsy: Celebrating the Power of "Why Not?" -- which may in fact describe at least part of the reasoning behind opening such a temporary gallery in the first place. I mean, why not?
Of course, real-world answers to that whimsical question are many and daunting.
It takes an incredible amount of time, energy, passion and commitment to pull off such a project, and thank goodness (literally), both Courtney and Roslyn seem to be the right people at the right time to make this project a success.
Hopefully, their work will inspire others.
I was very impressed by the artwork in this exhibit, and I shot photos of a few of the many pieces (displayed above).
I also want to thank Roslyn and Courtney for allowing to shot a few photos of them.
More information about their gallery, and more photos, can be found at
The gallery is open 11 am to 7 pm, Wednesday through Friday.
================================
================================
more photos by Larry Hoyt can be found at
================================
Thursday, July 17, 2008
Hot Rods, Antiques and the Symphony
all photos copyright 2008 Larry Hoyt
-- above images shot at Syracuse Regional Market
-- click on photo to enlarge image
====================================
If variety is the spice of life, then this is going to be one hot'n'spicey meatball-of-a-weekend here in beautiful Central New York.
In addition to the wide array music and theater events that take place every week, there are several special events worth noting.
Hot rod and specialty car enthusiasts will want to check out the hot wheels that will be rolling at the Syracuse Nationals Hot Rod show at the New York State Fairgrounds, Friday thru Sunday, July 18-20.
more info at
www.rightcoasters.com
Folks looking to buy or just admire high-quality antiques will want to wander the paths and check out the antique deals to be had at shade-filled Longbranch Park in the Town of Geddes, just north of Liverpool. The nationally known Great American Antiquefest takes place at this lovely setting, Friday thru Sunday, July 18 -20.
And folks interested in listening to jazz and classical music in a relaxed urban setting should consider attending this weekend's edition of the Candlelight music series, on the corner of South Franklin and West Jefferson Street, in beautiful Armory Square in downtown Syracuse.
The Syracuse Symphony Orchestra performs at 8 pm at this free event, with a jazz trio opening the musical evening at 6:30 pm.
There are several fine restaurants on Franklin and Jefferson Streets that take outdoor seating reservations for these weekly Candlelight music events.
Or you can bring your own chair, find your spot, and then listen to some great music, surrounded by a friendly crowd and impressively varied architecture.
Here's a few Heads-Up for more events coming to downtown Syracuse in the next few weeks:
ARTSWEEK - July 24 - 27
featuring the Syracuse Arts & Crafts Festival at Columbus Circle, July 25-27; and
Jazz in the Square, at Clinton and Hanover Squares - July 24 - 26
www.jazzinthesquare.com
HANOVER SQUARE ART & MUSIC FEST - August 2
this year's debut event for art and music in downtown Syracuse
=============================================
Tuesday, July 15, 2008
A Sad Old House, and Meeting Nahkeem
-- click on photo to enlarge image
============================
When Nahkeem saw my bike leaning against a fence, he asked if he could ride it.
I said "I think it's a little big for you" but he was determined to prove me wrong, which he did, as he rode my bike up and down the driveway a few times and then across the front yard.
Exploring the North Side of Syracuse during my evening bike ride, I came across a heart-breaking sight for anyone who loves older houses.
Near the corner of Danforth Street and North Salina Street, there stands what must have been at one time a fine, handsome brick house, adorned with fashionable details and ornamentation.
Today, the house appears as a tattered ghost of its once proud past. Many windows are broken or covered with plywood, or even bricked up completely. The roof, especially towards the front of the house, is in need of major repair.
If this house were a human cancer patient, one would probably think it best to get in touch with Hospice and make arrangments for the final days.
But as I was taking some pictures of this house, a young lad named Nahkeem came by on his skateboard and asked the inevitable question: "what are ya doin'?"
I explained that I was shooting photos to show to people who might feel sad and/or angry that such a fine old house was in such bad shape.
"But they're fixing this house up," said Nahkeem. "I work for the owner."
In my rather quick, two-minute interview with Nahkeem, it never became totally clear just what work Nahkeem did for the owner.
"He and his wife were here, working on the house, but then they left. They haven't been back in a few weeks," said Nahkeem.
In answer to my questions, I was informed that Nahkeem is 10 years old; he attends McCarthy School ("It's a bad school, for kids who are bad.")
Nahkeem has apparently misbehaved a bit at school, but we did not go into details.
When Nahkeem saw my bike leaning against a fence, he asked if he could ride it.
I said "I think it's a little big for you" but he was determined to prove me wrong, which he did, as he rode my bike up and down the driveway a few times and then across the front yard.
I have no idea how accurate or inaccurate were Nahkeem's observations regarding the rehabilitation of this house. I hope Nahkeem is indeed working for the owner of this house who is indeed in the process of bringing this architectural treasure back to life.
I plan to stop by this house again, and I will post an update to this blog. I hope Nahkeem will be there again to give me all the details. And once again, I will let him ride my bike.
===============================
more of Larry Hoyt's photos can be found at www.flickr.com/newfolkfotos
Larry Hoyt's videos can be found at www.YouTube.com/NewFolkNow
Larry Hoyt's music can be found at www.cdbaby.com/cd/larryhoyt
Monday, July 14, 2008
Looking Back On Roots, Brews and Blues
from the top:
-- Pete McMahon of the Kingsnakes;
-- Terry Mulhauser of the Kingsnakes
-- folks dancing in the second line
-- trumpet player from the Rebirth Brass Band
-- folks dancing on the "reflecting pool" after the rain
-- Clinton Square and the evening sky
(click on photo to enlarge image)
================================
This past weekend (from Thursday, July 10 through Sunday, July 13, 2008), Syracuse, New York was home to some of the very best blues and roots music to be found anywhere. The folks who organized and presented the New York State Blues Festival, and the Empire State Brewing & Music Festival, should be thanked and congratulated for doing such a fine job.
===============
In a previous blog entry I mentioned the excellent music and good-time atmosphere that pervaded the Inner Harbor Block Party on Thursday, with roots and blues music provided that evening by both the Fabulous Ripcords and Los Blancos.
===============
The highlight of Friday night's BrewFest was the lively performance by Donna the Buffalo, a veteran group from the Ithaca area, who deserve their national reputation as purveyors of upbeat, groove-filled dance tunes that are certifiable crowd-pleasers.
===============
Other performances in Clinton Square this weekend that I was able to enjoy while shooting lots of photos were the BluesFest sets of music by the Rebirth Brass Band, from New Orleans, and the Kingsnakes & Friends, from right here in Central New York.
===============
In my opinion, there's something incredibly beautiful about the mix of historic architecture in the buildings just to the east of Clinton Square. In the late evenings, during the many festivals that take place at Clinton Square during a Syracuse summer, these older buildings are often highlighted by the setting sun, making for an incredibly impressive cityscape vista.
===============
As I've pointed out in this blog before, and as I will point out again, Syracuse is far-and-away the music center of Central New York, and some might argue, the music center of all of Upstate New York (especially if you're a blues fan).
There's lot of excellent music going on in the clubs and bars and other venues here in Syracuse, 52 weeks a year, often 7 nights a week.
I just hope that more and more people become aware of this, and then make it a point to attend some of the high-quality live music taking place in this area.
==============
more photos by Larry Hoyt can be found at
www.flickr.com/newfolkfotos
www.flickr.com/newfolkfotos
videos by Larry Hoyt can be found at: www.YouTube.com/NewFolkNow
music by Larry Hoyt can be found at: www.cdbaby.com/cd/larryhoyt
=============================
=============================
Saturday, July 12, 2008
Syracuse's Blues and Brews Weekend
--Jeb Puryear of Donna the Buffalo;
--Donna the Buffalo onstage at the Empire State Brewing & Music Festival, Syracuse;
--barefoot dancer at Brewfest;
--Brewfest crowd at Clinton Square;
--Colin Aberdeen of Los Blancos at Syracuse's Inner Harbor
=================================
all photos by Larry Hoyt - copyright 2008 Larry Hoyt
==============================
It long has been my opinion that the music scene in Syracuse is the proverbial glass that is both half-full and half-empty.
It long has been my opinion that the music scene in Syracuse is the proverbial glass that is both half-full and half-empty.
Aside from the years I lived in New York City, Los Angeles, and Nashville, I have been actively involved in the Syracuse music scene for, let's say, about 38 years or so.
Venues have opened here , and then venues closed. And then other venues opened.
Bands formed and then disbanded, and then those band members formed new bands.
It seems like it has been a never-ending cycle. The more things have changed, the more they stayed the same.
As far back as I can remember, there have always been a good number of high-quality live music events going on in Syracuse, but often there were not enough of these events to satisfy everybody (especially those area musicians seeking paying gigs).
But lately, I get the feeling that more and more high-quality music events are happening in this area, and part of the purpose of this blog is to let Central New Yorkers and the rest of the world know that the Syracuse music scene is alive and well and growing.
This weekend, July 10 thru July 13, Syracuse's proverbial half-empty musical glass is over-flowing with excellent high-and-low-profile live music.
Blues and Brews are being served this weekend in Syracuse.
This good-time music party began Thursday evening with an Inner Harbor Block Party that featured live music by the J Project, the Ripcords, and Los Blancos.
The Ripcords and Los Blancos play a mix of electric blues and American roots music that I find energizing and entertaining. Both of these Central New York-based bands are also playing at the New York State Blues Festival, which gets underway at Clinton Square in downtown Syracuse, today, Saturday, July 12 and continues through the day and night tomorrow.
much more information on this can be had at
I also had the great pleasure of attending the last part of the Empire State Brewing and Music Festival on Friday night in Clinton Square that featured a rockin' lively set of music by Donna the Buffalo, from the Ithaca area.
Simply put, Donna the Buffalo is a great band with a great, identifiable, roots-oriented sound that invites one and all into the hippie dance tent. The songs of Donna the Buffalo are filled with catchy little riffs, sweet melodies, country harmonies, and chugging rhythms that are puntuated with crowd-pleasing dynamics.
Often, they play songs at an even keel for a while, then bring things down, and then rev things back up, making a fun time for those folks dancing, and also for those other folks who like to watch other folks dance.
As I write this blog on Saturday morning, I plan to post a whole bunch more of the photos I shot both Thursday and Friday nights on my Flickr site:
Please do check out these and other photos on my Flickr site. You will not have to pay
anything if you enjoy them... there'll be more, later.... Larry
Subscribe to:
Posts (Atom)